Who Will Take Over? | Worlds 2020 Finals - League of Legends - 2020
Stept Studios, Los Angeles
Matchmove/ Roto/ Compositing Artist
|
|
Part of a gaming promotional project with CG & live action. Worked closely with VFX supervisor on set for matchmove in a green stage. Roto and key mattes support for compositor. Final composite 27 shots in 6 weeks and prepped for delivery. |
Sentient - 2014
The Vang Brothers, Los Angeles
VFX Supervisor/Producer
The Vang Brothers, Los Angeles
VFX Supervisor/Producer
|
|
A short film by the Academy Nicholl Fellowships Award winners, the Vang Brothers. We are excited to have the opportunity to work for such a talented team of directors! Official Selection SCREAMFEST 2014 and DRAGON CON FILM FESTIVAL 2014 |
Los Super - 2013
Larimar Films, Dominican Republic
VFX Supervisor/Producer
Larimar Films, Dominican Republic
VFX Supervisor/Producer
|
|
A tight budget explosion shot for a big comedy movie in the Caribbeans! Ken supervised a top artist, Enrique Sandoval in Mexico for this big shot with matte painting, blue screen, real explosive elements, CGI objects to bring this effective dynamic scene to life. Los Super Trailer
|
Canakkale 1915 Resurrection - 2012
Fida Film, Istanbul
On set VFX Supervisor
|
|
Ken worked on set as a VFX Supervisor to support and advice over 100+ VFX shots for the upcoming recreation documentary of a WWI battle Cannakkale 1915 in Canakkale, Turkey.
Ken offers his technical skills and making sure each VFX shots has the necessary requirement for digital production. His other duty includes communication between post-production and VFX production company of daily progress and facilitate their needs and technical requirements for their digital pipeline. |
Conquest 1453 - 2012
Aksoy Film, Istanbul
On set VFX Supervisor/Sequence Supervisor
Aksoy Film, Istanbul
On set VFX Supervisor/Sequence Supervisor
|
|
Ken worked closely with director, assistant director, set supervisor and crew for production planning all the way to onset supervision of battle sequences as well as some color grading & editing sessions. Also, supervised element shooting such as practical, clean plates and background plates using film and digital camera like RED. He was also responsible for communication with VFX house and deliver digital stills, daily notes and camera logs.
Ken also worked with in-house supervisor to create various shot sequences for staff artist. As a Sequence Supervisor, he performed daily review of production progress with group meetings and individuals. Daily web meeting using Cinesync with production house for approval of shots to final stage. He created shot sequence management update on excel. Provided recommendation of software and training for staff. Also demo various technical knowledge how to make a shot work. Although the post-production schedule was not realistic and the scope of shots where too ambitious, this film had broken all Turkish cinema records. This is a milestone for the country for sure. |
Karate Kid - 2011
Menfond, Hong Kong
Columbia Pictures
On set VFX Coordinator/Supervisor
Menfond, Hong Kong
Columbia Pictures
On set VFX Coordinator/Supervisor
|
|
Provide VFX support and supervision onset location in Beijing & Wudang mountain, China. Worked closely with Menfond VFX studio supervisors and film crew assisting director, producers to cameramen. Created daily production logs and worked with VFX assistant keeping notes and camera report as well as digital stills and survey reports.
|
